Casino 1995 – When a film can capture the spirit of its location and delve deep into the film’s history, that’s something special. There are countless movies that have made Los Angeles the focal point. Movies like
Capture the ugly underbelly of the city, but paint the city as the coolest place on earth.
Capturing the romance and dreams that the city was built on. Then you have “the city” … New York City. Martin Scorsese has made many films that capture the spirit of this beautiful city. There is a legend around him and Scorsese lives it. You have such a movie
Sharon Stone Says Robert De Niro And Joe Pesci Were Rare Co Stars Who Weren’t
City of sin. It’s the entertainment capital of the world. The city of second chances. Las Vegas. This is also a city of dreams and it doesn’t stop. Roll the dice, draw the cards, and spin the wheel to win big. Vegas makes such a cinematic place with great lighting and a variety of architecture. Oh…there is also a large desert around. Has movies like
Which highlighted the world of gambling and featured some of the city’s greatest entertainers (Sinatra, Martin, Davis Jr.). Soderbergh then recreated it with Hollywood’s biggest stars.
A great modern example of urban sprawl. It was also home to the 90’s blockbuster movie Crazy,
But what kind of film is really thriving in this magical city? Movie Mob. But why? The combination of gambling, drugs and prostitutes leads to crime. There is also an illegal show about Las Vegas, which is the best place for a crime boss to have it.
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There’s a whole section in the movie where a New York mafia family brings something to Vegas. Mo Green is a symbol of the rising sun of this desert city and his death is the beginning of the control of the mafia. Even modern
There’s a little crime drama with Andy Garcia’s Terry Benedict. But there is a film from the famous director, Martin Scorsese, which captures the glamor and glamor of this city.
The most obvious thing is that almost all of them are in Vegas (with a limited scene that takes place in Kansas City). But the heart of the film is the world of gambling and excess. The main character, Sam “Ace” Rothstein, was in the gambling business. He did it himself and for the duration of the movie, Ace cares about nothing but being honest in the casino, Tangiers. He did everything he could to keep this place and himself in the driver’s seat. The politics of the city are also fully revealed (with Ace in contrast to his “palm oiling” approach to progress, there is a mafia element. world city life that Ace likes and put it on the stage. Scorsese even ends this 3-hour drama with Ace lamenting the collapse of this sacred monument. What does the city “above” mean?
Cut to length. This movie is full of montages. Especially for the first half of the film, there are endless montages of lifestyle excesses and the fine controls that Ace must exercise to keep his world together. These designs are combined with classic rock and other types of music to capture the energy and passion. Oh… and it’s so cool. The beautiful film that Scorsese and novelist Robert Richardson brought to the world. Color was used to capture the bold and vibrant nature of the city. Ace itself is decorated with many different colors and patterns. The camera (as in many Scorsese films) moves constantly to bring the audience into the casino as if we were there. But not only the floor, but behind the curtains to see how this criminal enterprise works.
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This film does not deal with the excesses and greed that prevails in this city. The film also explores the life of a casino boss who is controlling and strict. There are plenty of opportunities for Scorsese to see the potential of Robert De Niro as Ace. As the water topples the high-flying Asian businessman, the camera pans to a towering De Niro looking down, completely in control. Scorsese even throws in a nonchalant camerawork to document Nicky’s brutal brutality against Joe Pesci. You can feel the violent and daring nature of Scorsese’s filmmaking. Casino finds this actor in his crime thriller comfort zone and he can create a story of this magnitude with complete confidence. Not many directors would have thought of a 3-hour crime thriller like this, but Scorsese pulled it off with ease.
With so much time to prepare, what could Scorsese and his reporter partner, Nicholas Pileggi, do with this story?
Most importantly, you learned Ace’s personality. He is a man of discipline and success. Nicky also said at one point that Ace never seemed to enjoy what he was doing. But the script has a different narrator that lets the audience get inside their heads. Ace is enjoying his tenure at Tangiers. Nothing happens without his knowledge and he makes sure everything goes smoothly. This led to some of his biggest problems in city politics. He accused a man who was not nominated without knowing how it would affect his political position. Ace lost his position in Tangiers because politics changed him. This controlling nature spills over into his relationships as well. He always wants to control his wife Ginger (Sharon Stone). He monitors and questions her about her activities and controls her finances. He is not to be trusted which is the only thing that makes Ace sad. Ace does the same in his relationship with Nicky.
He has a cool and cool attitude that sells his control. When others lose their minds, Ace is focused and in command. De Niro is dangerous throughout the film. These colorful and bold costumes paint a picture of an uncool and dangerous person, but De Niro sells it every time. Whether it’s through a look or a pose, De Niro can capture that dangerous quality. But as the film progresses, he is also able to convey the descent and loss of control that Ace is experiencing. During the license hearing, De Niro remained angry and focused. In particular, De Niro will become unrepentant if Ace’s marriage to Ginger falls apart. His anger was intense, and you could feel it in his voice and words. There is an air of coolness and confidence that Ace brings throughout the film and there are not many actors who can handle this role well.
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The mafia aspect is common in Scorsese’s work as well as the crime scene. There are many abusive and problematic relationships in Scorsese’s films. But you don’t get a lot of love triangles…or quadrangles there? Stone’s Ginger is at the center of a web of crazy “love”. Using the “L” word can be a distraction when it comes to this toxic combination of relationships. Ginger is a strong and cunning woman who will do anything to gain position and power. She has a thing for older, powerful men (Ace and Nicky) but has a soft spot for her fellow artist Lester (played with disgusting dedication by James Woods). Lester is twisted and thin in every way…but Ginger can’t escape. Stone plays this role with unparalleled dedication. He is a ball of seduction and emotion. There are even moments where he takes drugs beyond belief and Stone is believable. His deception is on point as the audience sees him play with Woods, De Niro, and Pesci throughout the film. This cart ride of tricks, games and manipulation is the kind of car accident you can’t miss. Scorsese was able to bring his energy and personality to it as well.
Pesci’s Nicky is the film’s main villain focus. Pesci shows a similar attitude in his Oscar-winning performance
. Nicky is a straight line who is responsible for a lot of roughing in the film. Fish
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